Part III: Don’t Ask Why….Ask When?

The Tree

In part two of this series I talked about overcoming self doubt. This is a stumbling block that affects us all, as photographers and people in general. With the constant barrage of high quality imagery regularly shared on various social media sites it is easy to get caught up in the madness and the noise inside your head.

So here you are, increasingly excited about your new-found joy and it has started to take on a life of its own. You have started making new friends out of complete strangers on the internet. For the first time in your life you have not one, but THREE or more favorite weather outlets that you look to for information about upcoming forecasts. You have started regularly finding yourself outside at 4 o’clock in the morning with your camera pointing it at the ground, the sky and the trees. You have even begun to visualize compositions in the passing scenery as you drive in your car. You my friend have a sickness, the disease of photographic obsession.

It has been a year or so now since you got serious about photography. People on the internet and your friends and family have started showing appreciation of your images. A co-worker expressed an even greater interest and after telling you how amazing & beautiful your image was they asked you if you sell your work! You feel like a rock star now. In the five minutes since they asked you to sell them a print you haven’t heard another word they have said. You are engaged in a fantasy inside your own mind where you have quit your job and find yourself repelling out of a helicopter onto a secluded beach. You have your camera in one hand and a pen in the other, ready to sign autographs for the group of loyal fans that have been waiting for you to land since last night. One of them even has a t-shirt with your face on it….

You snap back to reality when your boss, with a very unpleasant look on his face, asks you about the report that was due 2 hours ago. You realize that if you are ever going to be able to quit your day job to become a professional photographer, you better start selling some prints. You just sold an 8” x 10” print to your co worker for $20. It cost you $7 to have it printed and $4 to have it shipped to your house. You do some simple math and you realize that to make a respectable income from your photography you are going to need to sell approximately 6500 more 8 x 10’s. Ok, maybe you should try for some larger print sales. If you think I am talking to you, sit back and relax because it’s going to be a long ride but I honestly want to try to help you. I would like to see you to succeed.

It is crucial that you realize that this is not the music industry, nor are you an actor or actress. No one is going to “discover” you and propel you into fame & untold riches. Besides, despite what your Mom keeps saying you are just not that good yet. If you want to sell your work you are going to have to dig deep and sell yourself. Some call it salesmanship, others call it hustle. Whatever you choose to call it, you need to get some of it fast. There are a finite number of potential customers out there and a seemingly infinite number of aspiring photographers and many of them are extremely dedicated and producing VERY good work on a regular basis.

Here is where the twist comes in. I know many amazing photographers who rarely sell anything. It’s not that they don’t want to; they just don’t know how to sell themselves. I also know many less than amazing photographers and even some terrible ones who seem to sell their work right and left. So what is the secret? What more can I do to sell my work? Tune in to part four of this series, don’t ask why…ask what and I will try to answer this burning question for you. In the meantime, if you enjoy looking at pretty pictures please have a look at my website at http://www.aaronreedphotography.com and consider a print or two. I still have a few thousand to go this year. ;) Thank you again for following this series and sharing with friends and family who may find it helpful. I truly appreciate it.

Part II: Don’t Ask Why…Ask How.

Vertigo

In the introduction to this series I touched on the importance of emotional connection and how it relates to sales and expanding your customer base. You learned, maybe for the first time, that you may be marketing the wrong work to the wrong people at the wrong time. Now that’s just wrong!  I left off part one of this series promising to share with you some of the business ideas that have allowed me to be successful in marketing my work. We talked about why not, and before we get to where, we need to talk about how.

I want you to read the following sentence at least twice. The single most important factor to your success as a photographer both creatively and successfully is to BELIEVE IN YOURSELF. While this seems like a no brainer, this is a challenge for many photographers because before we can become our greatest advocate, we need to stop being our own worst critic. If you regularly tell yourself and the people around you that you suck then guess what….. I don’t even need to tell you. Indulging in self doubt will place a strangle hold on your creativity and if left unaddressed feeds on itself and grows over time. No matter where you are in your journey as a photographer, make a conscious effort to fight self doubt with creativity. Allow yourself the freedom to be YOU. Capture the images that make you happy and be grateful for the moment instead of continually thinking about chasing that next shot.

This brings me to my second, but equally important idea that the grass is NOT always greener on the other side of the fence. While there certainly is value in evaluating others work, constantly comparing your work to the work of others can be extremely unhealthy and helps feed the self doubt that destroys our creativity. The fact is, in your own mind there will always be someone better than you. Even if this is true, there is no value at all in internalizing this self defeating idea. A much more productive practice is to compare your work to your own previous work. This self evaluation builds confidence and allows your creativity to continue to grow at a healthy pace. Continuing to challenge yourself is a crucial part of your journey, no matter where you hope to end up.

The third idea I would like to share with you is simple. Never let anyone tell you that you are doing it wrong. Photography is and always will be subjective. For every one person who tells you that you are doing it right, there are two willing to tell you that you are doing it wrong. I truly believe that our individual creative paths will always lead us to the same place. How long it takes you to get there is the question. If you listen to the noise, you might miss something important. If you are only interested in photographing moss and insects that is great! Never shot film before…who cares? If you want to capture 9 exposures of the same image and tone map the hell out of them that is your business. No one knows more about being you than YOU and anyone who tries to tell you that you aren’t doing it right is wrong in more ways than one.

The final thought I will leave you with today is to know where you’re going, even if you aren’t going anywhere. Having an idea of what you hope to achieve with your photography will save you time, money and stress. If you hope to sell stock photography one day, start building a rock solid file structure today. If you want to sell prints, learn about the printing process and start printing large images now. If you are looking for an image critique, burn off a 24” x 36” print and just look at it. It will provide a wealth of opportunities for growth. Building a rock solid foundation now will pay back dividends in future years. Plan for the future but don’t sacrifice what’s truly important. After all, they are just photographs. Stay tuned for part 3 of this series titled Don’t Ask Why…Ask When? Thanks for reading and leaving your comments below. Please consider sharing this blog with those you feel may benefit from it.

Don’t Ask Why…Ask Why Not?

Eternal Beauty

The most frequently asked questions I receive from friends and strangers alike surround how I market myself & work, what works and what doesn’t. I am blessed that I am able to generate a moderate income from my photography without traveling to the ends of the earth, neglecting the personal relationships in my life, or giving up all hope of retiring one day…..hopefully WITH health insurance.

A few years ago when I realized that I COULD actually generate an income from my photography (thanks for buying those prints Mom!), I thought long & hard about the path I wanted to take and if I wanted to attempt to make this a full time profession at all. I quickly decided that as much as I love photography & the great outdoors, traveling to the ends of the earth 200+ days out of the year, away from friends and family, all without the security of a full time job was just not for me. Aside from the overall risks personally and financially, I just didn’t want to lose the most important part of photography to me…the simple joy that it brings me. As much as we all love to fanaticize about our passion leading to undying fame and untold riches, quitting your job, cashing in your 401k and hitting the road in your Honda Element may not be such a great idea. I mean, if it was THAT easy, I would have tore the sleeves off my jean jacket and started talking with an Australian accent a long time ago.

This brings us back to the question at hand. You jumped in with both feet and bought that shiny new Nikon D800 or 5D3. You have the tripod, the filters and a lens for every occasion. You have Photoshop, Lightroom, Nik, OnOne AND Photomatix and you STILL aren’t as popular as Trey Ratcliff. You are drowning in +1’s, likes, hearts & glitter graphics and even hash tag entire paragraphs online and still….no one is buying your work. This is the point at which most photographers start asking themselves why and questioning whether or not their work is good at all. The question should not be why….but why not?

The images that your photography friends like and the ones you personally feel are your best images are NOT the same ones that will be selling to real customers. Take that glorious sunrise image you captured from the top of Mt. Rainier that you are sure is going to be a hit. The question you need to ask yourself is what can this image be used for? Sure, it could be used for Washington tourism, or to sell climbing gear or some other mountaineering product but the list is short and very limited. The second problem is that the better your composition is (in the eyes of yourself and your fellow photographers) the less desirable it is as a marketable image. Customers need space for their products and information. Your perfectly crafted image does not allow for that. Now ask yourself how a picture of the Bay Bridge in San Francisco may be used. It can sell California tourism and anything associated with California. It can be used to advertise almost any business in San Francisco and the surrounding area. Because it sits in one of the world’s most popular destinations, it can be used for airline & auto industries and almost any aspect of travel in general. The possibilities are endless.

The same is true for fine art prints. 15% of my photography revenue last year came from selling prints. I expect that number to rise to 25% this year. These prints are VERY rarely the images I am most proud of or the ones I would choose to hang in my own home. People need to connect to a piece before they purchase it. It needs to evoke an emotion for them. I’m not talking about a simple emotional wonder of the beauty of a landscape; I mean a deep personal emotion. They are buying it because their youngest child goes to school there, or because they got married there. They are buying it because their fondest memory was created there during a vacation taken with their mother just before she passed away. Sometimes they are buying it simply because it matches the colors of their home and looks good over the back of their couch. I sold a collection of ten 30” x 45” canvases a few months back for over $5,000 and all of them were abstracts. I see you reaching for that macro lens!

The point I am trying to make here is that you can find success in your own backyard without giving up your stability, your free time or your family life. You can continue to enjoy your own personal photography and generate revenue from it on the side without being a full time photographer.

I have decided to take more time to share the things that I have learned in the past few years as a photographer on this blog. Stay tuned for the second installment of this post tiled don’t ask why….ask how? This will come in the next few days and will hold a wealth of valuable ideas on how to market your work. Till then, if you would like to find a personal connection with one of my images or are interested in high quality imagery to help promote your business please visit my website at http://www.aaronreedphotography.com and if you want to spend some personal time with me learning more about photography and how I do what I do, please consider one of my in the field workshops at http://www.exposurenorthwestphotography.com Thank you for taking the time out of your busy day to read this article. If you have specific questions that you would like answered in a future article, please leave them in the comments below.

NEW! By Popular Demand! Waterfalls & Wildflowers II May 4th & 5th 2013

May 4th & 5th 2013

Investment: 300.00

Wildflowers & Waterfalls Two

Wildflowers & Waterfalls Two

Spring in the Columbia River Gorge is breathtaking. Abundant wildflowers of many varieties and lush greens seem to erupt from every direction. The beginning snow melt fills the area’s waterfalls to capacity and the combination of all of this activity makes the Columbia River Gorge a must see location for anyone who is able this time of year.

This two-day workshop will run a long stretch of the Columbia River Gorge from Multnomah Falls to Hood River & across the Columbia into Southern Washington. I will be traveling to the area the week before the workshop to scout out our final locations to ensure attendees have the best opportunity to capture nature’s beauty as it unfolds at the peak of the season.

Suggested lodging for this workshop is the Best Western in Cascade Locks, Oregon or one of the many hotels in Troutdale, Oregon. If you would like specific suggestions based on your taste in lodging, please send me an email for more information. The nearest major airport is PDX in Portland, Oregon.

For more information simply click the image above to be taken to a complete workshop write up.

One Spot Reopened for the Palouse Workshop June 1st & 2nd!

Due to someone changing their mind about attending this workshop, I have one spot that has opened back up. This workshop will be help in the Palouse region of Eastern Washington state and more information can be found here: http://exposurenorthwest.wordpress.com/lifeinthepalouse/ I will extend a $50 discount to whoever fills up this last spot! Palouse Last Spot

Waterfalls & Wildflowers and The Life In the Palouse workshops have SOLD OUT!

If you want to participate in one of my workshops this year, your chance to do so is almost gone! My first 3 workshops of the year have all sold out and I am over 50% booked in my remaining two. Please have a look at the next workshop, the Northern Oregon Coast, that currently has two spots still open: http://exposurenorthwest.wordpress.com/northerncoast/ Please contact me to discuss private workshop information or to set up small group workshops for you & your friends or business partners! Northern Coast